Threaded Vessel Challenge

Presenting The 2012 Second Quarter Metal Clay Design Challenge by Etsy’s Metal Clay Heads Team. 

Entrants were posed with the challenge of designing a metal clay original work under the theme “1920s-1930s Era” including the technical requirement for each of the entries to be a threaded vessel.  Talk about a true Challenge!

Each Quarter, the Metal Clay Heads team members embrace the task of incorporating new skills and techniques to gain personal growth as designers and artists.  Sharing ideas, learning from each other, the highs and lows of successes and failures, each member is encouraged and supported along the adventure.

This Challenge was particularly difficult with several failed attempts and crossed-fingers, prayers whispered in anticipation and plenty of recycling!

Before revealing the entries, there is one very notable effort worthy of a spotlight:

Laura of ZOEOWYN, Art Jewelry Adornment designed a beautifully crafted threaded vessel. 

These photos are examples of the degree of difficulty and gorgeous artwork that come from these Challenges.  Although her vessel is still a work in progress, her design is duly noted and just a taste of what wonderful designs were entered by truly talented metal clay artists.



And now  for the entries submitted for voting in the 2012 Second Quarter Metal Clay Design Challenge!  In alphabetical order by Etsy shop name, here are the 4 entries, each and every one deserving of recognition for successfully conquering the Threaded Vessel Challenge!  Please feel free to click on the photos for more details of each entry.

Silver Perfume Bottle, handmade fine silver Art Nouveau bottle necklace-OOAK by Jennifer of Envydesignsjewelry

A beautiful Art Nouveau style perfume bottle pendant in pure (.999) silver. Made entirely by hand, by me from recycled silver, this is a definite statement piece, featuring a raised iris design, and a screw on lid, with a carved leaf crown. There is a different texture on the back.
I added the bail on the back to hang the bottle from an 18" sterling silver snake chain.
I gave the bottle a rainbow patina, then buffed the raised design, to bring out the highlights.
This pendant is 2 3/8 inches long or 87.5mm x 16mm x 15mm. (more)


Pagoda  By Anise of SeavBeach

 This is an entry to a challenge in a wonderful group that I'm a part of. The design challenge was jewelry from the 1920's and 30's. I researched jewelry from that era and found the thing that intrigued me the most were the perfume bottles that were made during this time. Very intricate bottles were made to hold the finest perfumes from around the world. In reading about the jewelry from that period I found out that Asia influenced a wave of Art Deco jewelry. This is just one piece. The pendant. The top being a roof of a pagoda. It will fit into a built pagoda which will later become the bottle holder. (more)


Hagar's Threaded Vessel Pendant in Fine Silver by Bev of StuckOnSilver

Hagar's threaded vessel pendant in fine silver by Bev of StuckOnSilver
The dynasty created by Hagar's and Abraham's marriage included her land (from modern-day Libya and Egypt to Canaan) and his (from Iran and Iraq to Yemen) --a huge expanse of the known world. The leaves on the pendant represent the shrub that shaded their son Ishmael in the desert.
This pendant includes recycled silver and weigh approx. 4 grams. Vessel and top measure approx. 20 mm in length. A retro leaf motif adorns the vessel and top. Sleek square vessel has a circular screw-on top--both are hollow and might hold solid perfume or a mini-scroll with the name of a loved one on it (not included.) Wire holding the top is solid low-tarnish Argentium sterling silver for low-maintenance ease. (more)

Petite Bottle by Lisa of WillowandMe

Constructed with COPPRclay, the vessel sides and threaded connections were formed separately and assembled together to form this triangular Art Nouveau inspired bottle.  I reserved the extra pieces cut from the vessel sides to place inverted which gives the vessel a unique bottle shape with angular sides.  The top is also constructed using the pieces trimmed from the triangle bottoms, giving continuity of design throughout the entire piece.  The bright red CZ is secured with prongs made from cut pieces of clay and set pre-firing.  Fully sintered after three firings, this vessel measures about 1 ¼ inches tall.


Vote Now!
Please cast your vote using the Public Poll at the right.  Voting will be open for two weeks and will close July 9th.  The Winner of the Challenge will be announced shortly after.  (The Technical Poll is for MCHs team members only.)

Please leave a comment below to be automatically entered into the next Jewelry Giveaway Drawing held soon!

Code Breaking - QR codes and why you need them.

A year or so ago, I saw these and tried to click it with my phone and nada, rien, nothing, so I gave up.  However, recently I was talking to a Polish lady, who was showing me her English magazine, with fab articles and all over the place were these codes again.  When you scanned the code, hey presto you were taken to a link that had an mp3 with a listening that went with the text.  Suddenly they had my attention again.

If you have never heard of them, if you haven't seen them, you are so missing out.

If I said to you, here is a link you can print anywhere you feel like, that will take anyone straight to your etsy shop, who wouldn't love that?  Well that's what it is.  

It suddenly starts making a bit more sense why you keep seeing them everywhere now doesn't it?

So in simple terms it's a bar code effectively, a bar code that takes you to a web link. You scan it with an app on your (smart) phone and once it has focused and processed - it will give you the URL and take you to the page.  Obviously, not really much point in putting it on your website, just put an ordinary hyperlink, but ... and here is the big BUT, how about on your business card? or on your banner when you do a show, or your invoice that you send with all your goodies?  If you are slightly web wise, you could have it linking to promo codes, or new items or discounts or competitions, or maps to your show venue, or or or - the possibilities are immense.

Smart phones are the key of course, but the upturn of smart phone shopping is a hugely important thing to take account of.  (If you are in any doubt check on traffic sources on your google analytics to see where a lot of your visitors come from, mine is about 20% from phones).

If you want the app just go to your app market and look for a bar code scanner - they are usually free.

The one above is for the metalclayheads blog site, I just put it there for fun and so you can see.  But imagine it was for who ever lights your candle's web page, and you really wanted to follow them, you were out and about and saw their poster in the local shopping mall with their QR code beneath, simple, you just whip out your phone, scan as quick as you like and that link is now stored on your phone internet browser.  If it took you to their show dates with a promo code even better!

So the point is, today it is hard trying to keep up with all the latest, whether it's how to use twitter, or work out etsy's tag and relevancy search, or google analytics new interface, those things may take a bit of figuring out, but this one looks funky, looks a bit techy and you can do it in a jiff.  Look how cool and up to date you look, what does that say about you?  Cutting edge cool dude that's what.

How to get a code

So, have a search on google for QR code generator (I have used  - http://qrcode.kaywa.com/) put your URL in their QR-Code Generator box, add your etsy shop url (for instance) and save the produced image to your computer.  (Either right click and save the image or copy and paste the code they generate) Then paste the little blighter wherever you like.  Don't reduce it too small, about 3/4 inch seems to be the minimum size I can get it to still work with my phone.  Next time you update your business cards do think about adding it, or on the little messages you send out with your goodies.

Good luck and happy QRing!

From Sue @ somethingxtraspecial

Metal Clay Syringe Holder

Hi Metal Clay fans! I am Jennifer, a Metal Clay Head, and I will be bringing you reviews of metal clay tools and gadgets! 


I wanted to start with some of my favorite tools first. So I bring you Linda's Lid.

A fantastic tool for those of you who, like me, have to have several syringes available at all times. This particular tool was invented to keep your syringes moist and available by Linda Stiles Smith, a fantastic pioneer in the metal clay world.. I can't thank her enough.


I was turned on to this wonderful gadget by the woman who taught and certified me in ArtClay, Lisa Kwaske.


The cup holds up to 4 syringes at a time, so you can have all the available sizes handy. When not using all 4 holes, there are these little cork stoppers to prevent water evaporation. You fill the container with distilled water up to the bottom of the syringe tip, to keep your syringes from drying out.


The only con, that I can think of, is that if you do not use your syringes all the time, they can wick some water up into your syringes. This is easily remedied however, by pushing out said water into your slip jar until you start the flow of metal clay. 


Sold right on Etsy by Linda herself, this product is incredibly affordable at $15.95! You can also purchase this (and other fun tools) from Linda on her naturescapesstudio.com


Thank you and happy claying! More reviews coming soon.....


Stop by and see me on Etsy,
Jennifer

Inspiration, Imitation and Copying : Trends and the Evolution of a Personal Style.

This post will be part 1 of 2 parts


Part 1.....
Metal clay as a material has limitless possibilities for design and innovation, its only limitation seems to be its expense. I’ve seen so many gorgeous examples of work here on the internet that inspire me and that often leads to a flight of design ideas and new possibilities.  Why don’t those come to fruition?  I’m afraid to be accused of “copying”.  How can I use this wealth of inspiration I see here on the internet to develop a style that is truly my own.

I suspect I'm approaching the topic as an art historian might.

Early 20th century artists and craftspeople have shared skills and worked in smaller groups, guilds and geographical locations and, as such, they could train/imitate/copy and still keep one another accountable. Forgery was frowned upon and could get someone booted out of their "school", guild, or even lose their apprenticeship.

A totally ruined career unless you were:
a :) talented enough to get a bunch of others to defect with you or
b :) could afford to move to another country and set up shop.
Mass commercial enterprise and the "net" have totally changed the rules of the art and craft world.

Everything is fair game and people are trying to "copyright" age old processes and designs in order to make their mark.

A whole industry has evolved to share information and I contend that it leads to a kind of stagnancy when we come to developing our own creative processes and style. Pictures, published materials and experts running workshops set the trends. Seeing the beautiful work is inspiring and can give rise to new and innovative designs and material use. More often, I think, we flock like sheep to copy the latest trend.
I’m guilty!!!

I’ve wondered whether jumping on these trendy bandwagons might be really inhibiting my own evolution of a personal style.

Most alarming is the trend for big off shore manufacturers to "steal” and use imagery, usually that of a craftsperson who makes each item by hand, only then to reproduce inferior quality items to sell huge volumes of these items. That`s new. It makes us all throw up our hands and mutter, ”Why even bother?”  if someone’s just going to rip it off.

Is it wrong to copy or imitate?.... and how is it fair that someone can take “your” idea and execute it, promote it and sometimes become much more successful than you were?

These quotes about imitation are cliché but they underline the fact that this issue has been around for a long time:

“Imitation is not just the sincerest form of flattery - it's the sincerest form of learning.”
― George Bernard Shaw

“Parrots mimic their owners. Their owners consider that a sign of intelligence.”
― Marty Rubin


Our inspirations are the sum of our parts, our physical and genetic makeup, where we live and where we have traveled; how we view the world and its beauty, its underbelly and all the wonderful natural idiosyncrasies. Originality is the stock and trade of most artists.  Some artistic visions are truly revolutionary, many are original but few exist without studying or at least having been exposed to other artists’ work.  It’s a pretty difficult pill to swallow when you’ve worked really hard to evolve a particular design and technique, perfect it and then see that same design mass produced or replicated.  With the advent of internet selling the problem becomes exponential. So many artists scrambling to have their work rank high on the almighty Google search criterion.

Ideas and trends evolve via inspiration, imitation, and sometimes outright copying. I think in the fashion industry it is somewhat expected.  There are thousands of books, CD’s, tutorials, and
industry publications.  Being published and selling one’s methods is often a big or bigger money generator than selling one’s creations.  We should not be surprised when people copy our work when the environment that surrounds us has a business model that promotes and encourages this.  Trends are highlighted, hot selling items and people are “featured”, magazines encourage DIY and expect artists to publish their process.

Historically, artists considered imitation to be a sign of respect.  I suspect many of those who teach and publish books subscribe to this view of imitation.  I think learning is really important.  One of the people I most admire is my grandmother, known for her fabulous recipes and baking; her motto was, “I’ll tell you the basics, and how hot the oven has to be but the rest you have to figure out on your own”.
She was an inspiration. No tutorials, just her voice in my memory and her handwriting in the margins of cookbooks I inherited.  I’ll never make cakes that look or taste the same as hers did, but she inspired me to learn.


Here are a few web based perspectives on this issue:

http://www.squidoo.com/inspiration-vs-imitation

http://www.tekniskamuseet.se/1/313_en.html
http://prettyshinysparkly.com/fbff-when-is-flattery-by-imitation-just-downright-copying/

http://udis-tmc.blogspot.ca/2012/02/inspiration-vs-imitation.html

I’m hoping this is enough info for us to have a bit of a discussion and entertain any comments on the subject then move to the next part in this series that will focus on where we can “find” inspiration and innovative creative processes.

Kathy


Visit Kathy on etsy at MostlySilver and MostlyStoneware

Inspiration

Sometimes my mind is overflowing with ideas while other times I struggle for inspiration when planning a new piece. Lately it has been the latter for me. I usually make pieces based on natural elements like leaves and flowers, but that has not appealed to as much lately.

I have been drawn to abstract designs, geometric patterns and ornate textures, especially from the Victorian and Edwardian eras. I have always been fascinated with both Art Nouveau and Art Deco and I have hit a gold mine lately.

First, I purchased some antique buttons and then a customer gave me a whole tin of buttons she inherited from her grandmother and great grandmother so that I could make molds of them. As I began making the molds, the ideas started to flow. I am not an expert at buttons so I don't know the ages but I am pretty sure some of the styles date back to the 1800s. After getting these, I decided to start a new line based on these buttons and other designs and patterns of the time.

Some of the buttons I bought and received from my customer as well as the molds I made with them.

Rings I have made with some of the buttons I bought.

And I have hit the jackpot again. In January I began working as an administrative assistant at a small museum that is a historical home in our town. The home was built in the early 1800s and has much of the original furnishings and belongings of the family.

The house is closed in the winter and we are now cleaning and getting it ready for opening in May. I am privileged to be in close contact with these pieces. Some of the furniture is exquisite. The detail that went into the making of this house and its furnishings is amazing. There are even samplers on the walls embroidered by the girls who lived there.

So while I have been helping out with the cleaning, I have kept my camera in my pocket and have taken pictures of interesting textures and designs. Pretty much anything that caught my eye. The textures and designs are just too good not to share. I hope you enjoy them as much as I do.

Detail on a picture frame in the administrative section of the house. I walk by this every day and I don't get tired of seeing it.

A wrought iron heating grate upstairs in the museum.

Detail on a mirror in one of the bedrooms.

Fabric on a three panel screen/room divider.

Detail of a beadspread.

I can't wait to see what else there is as we continue through the house.

Willow and Me